Wall Street Money Never Sleeps 2010
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An advertisement for Wall Street: Money Never Sleeps at the 2010 Cannes Film Festival The film was screened out of competition during May 2010 at the in France. Pressman thought that Cannes would be the 'perfect platform to launch a film that speaks of today's economic dilemma'. It was met with positive reviews from film critics at the festival, although numerous reviewers 'objected to an ending deemed somewhat pat'. A spokesperson for Fox said that Stone had changed the ending since its screening at Cannes. Wall Street: Money Never Sleeps opened The Ischia Global Film and Music Fest, held during July 11–18. Michael Corkery of reported that numerous journalists involved in the financial industry had been invited to see advance screenings of the film.
To promote Wall Street: Money Never Sleeps, several cast members visited the Market site in, on September 20 and presided over the NASDAQ Opening Bell. Also on September 20, the movie's New York premiere was held at the in. According to the film originally had a February 2010 release date, but it was later given an April 23, 2010, release. In March 2010, the film's release date was pushed back to September 24. Brolin stated that he hoped that audiences would wonder about the ethics of the banking industry, asking 'How much is enough?,' he concluded, 'There used to be a ceiling. Now there's no ceiling'.
Surveys indicated that the main audience for the movie would be older adults who remembered the first film. Box office Money Never Sleeps opened at a total of 3,597 theaters in the United States, earning $9 million on its first day and $19 million in its opening weekend in the US, averaging $5,330 per theatre and becoming the number one movie at the box office, although falling short of studio estimates. Nonetheless it still marked one of the best openings for a Stone film. Despite an increase of screens for its second weekend, Money Never Sleeps saw a 47% decrease on its earnings, falling to third place at the box office and making slightly $10 for the weekend.
During the October 8–10 weekend it had a further decrease, falling almost 55%, earning over $4 million and dropping to seventh place at the box office. In its fourth week of domestic release it fell under the top ten at the box office with a revenue of more than $1 million, after suffering a 48% decrease. Domestically, the film made $52.4 million, and has grossed over $134.7 million worldwide. Critical reception The film's reception was mixed, website reported a rating of 55%, based on a sample of 221 reviews; the site's consensus reading 'It's more entertaining than many sequels, but with Oliver Stone directing, a terrific cast, and a timely storyline that picks up where the original left off, Wall Street: Money Never Sleeps should be better,' for comparison, Wall Street (1987) had achieved a 78% positive rating. Joe Neumaier of the awarded it five out of five stars saying that it is a sharp sequel that is worthy of its investment.
He also saluted the cast's performance and noted that Douglas gives Gekko 'uncounted layers as he fakes, deals and fuels fire'. Matthew Toomey of Australia's gave it a B-rating and said that Douglas is the film's 'biggest positive', finding LaBeouf to be unconvincing in his role. Christy Lemire, in, claimed that the film ultimately 'goes soft and loses its way' and described the contrast in its final scenes as being 'laughable'. Furthermore, the subplot between LaBeouf and Mulligan's characters as unneeded and pointed out that their relationship leads viewers to wonder why Winnie, who despises Gekko, would be involved with a man who does exactly the same thing as him, which she condemns; however, Lemire acknowledged that the movie is an uncommon sequel that seems to be both relevant and necessary and said that it proves that 'greed can still be good'. Film critic Colin Newton of the Brisbane felt that the plot lacked the enthusiasm of the first film. Along the same lines, contributor Nick Pinkerton pointed out that the Wall Street sequel did not have the 'clean, fable-like arc' formula of its predecessor. Kirk Honeycutt of said that the film succeeded in being one of the good sequels in a while, but that Stone 'gets too fancy here and there', the film's 'heavy reliance on multiple screens, graphics and digital tricks makes it feel like one is watching with all its computer-screen busyness.'
, reviewing the movie in the, noted that it ended with a better conclusion when Stone had edited the film after its Cannes viewing, but still felt it was a little too long. He considered the film to be sophisticated and said its photography was aesthetically pleasing but stated he wanted it to be 'outraged.' In Peter Bradshaw gave the film two out of five stars, commenting that 'despite the pious waffle about market craziness being like cancer, no one is ever shown enduring the actual misery of losing money.' Writing for, Richard Corliss stated that the film has the 'drive, luxe and sarcastic wit of the snazziest Hollywood movies.' David Edelstein, writing in, described the film as being 'full of promise, with minuscule returns.' He concluded that, like Stone's other recent work, it is difficult to distinguish what the project's focus is supposed to be.
Joe Morgenstern from wrote that the movie manages to keep a hold on its audience's attention. He thought that Douglas measured up to Gekko's standards in the film, believing that he was the only actor to sustain a 'sense of nasty fun', and felt that LaBeouf's effectiveness was within the range of the film-maker's direction, but was unimpressed with Brolin's portrayal of James.
He concluded that the script takes an unconvincing jab at Gekko's 'spiritual regeneration,' which was due to a scene that he considered to be 'inherently illogical and emotionally inert.' 's David Gritten said that Wall Street: Money Never Sleeps lacked the 'punch' of the original film and was annoyed by the number of cameos throughout the film. Wall Street: Money Never Sleeps received three out of five stars from Stephen Lambrechts of Australia.
Lambrechts felt that Stone's growth as a film director might mirror Gekko's as a person; having had used time to calm down over the years and settle into a more relaxed state of being. He concluded that the film's final result is not 'quite the incendiary attack that it could have been, but it still has plenty to say while also managing to be an entertaining crowd pleaser.' In contrast to the film's detractors, journalist Pete Hammond said the film was 'brilliantly cast' and labeled it a 'crackerjack powerhouse of a movie that shines a light on the financial machinations'.
He stated that Douglas does not lose any of the substance of Gekko and LaBeouf is firm as Jacob. The writer predicted the Wall Street sequel's box office performance would be brisk, while the prospects were assured on DVD.
Andrew O'Hehir's of reviewed the film from Cannes, calling it an 'ambitious, uneven, surprisingly talky melodrama, which mixes a quasi-documentary approach to the crash of 2008 with the story.' O'Hehir's considered the film to express a more 'personal, intimate sense of moral hazard'., writing in the, viewed the film as an 'overstuffed blend of agitprop and melodrama' that contains a cautionary story pertaining to unchecked capitalism. He considered Stone to be proclaiming a message of the 'cancerous effects of greed'. Bill Goodykoontz of admitted that he was not surprised to see that the sequel is not as effective as its predecessor, though it was an engaging film at the top of its game when it is hostile, and less satisfying during romantic parts. He ended by saying that it is not a 'great movie', but explained that it is an 'effective commentary on what greed cost' everyone. CEO of, Terry Smith, one of the largest inter-dealer money brokers in the world, reviewed the movie for on.
He gave it three out of five saying that, although it was 'a little bit corny in some respects', it puts the events of the credit crunch into context and that 'it rings reasonably true,' capturing some of the activities, the moods and the individuals quite well.' Accolades Award Date of ceremony Category Recipient(s) Result January 8, 2011 Breakthrough Performance Award (Also for ) Carey Mulligan Won January 16, 2011 Best Actor in a Supporting Role Michael Douglas Nominated August 7, 2011 Choice Movie: Actor Drama Shia LaBeouf Nominated February 22, 2011 Excellence in Contemporary Film Ellen Mirojnick Nominated Home media Wall Street: Money Never Sleeps was released on and on December 21, 2010, in the US.
Since then it has made more than $15.5 million in DVD sales revenue selling more than 983,000 units. See also. Retrieved July 30, 2017. Schuster, Dana. New York Post.
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Wall Street Money Never Sleeps 2010 Cast
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Oliver Stone's ' (1987) was a wake-up call about the financial train wreck the Street was headed for. Had we only listened. Or perhaps we listened too well, and Gordon ('Greed Is Good') Gekko became the role model for a generation of amoral financial pirates who put hundreds of millions into their pockets while bankrupting their firms and bringing the economy to its knees.
As 'Wall Street: Money Never Sleeps' begins, Gekko has been able to cool his heels for many of the intervening years in a federal prison, which is the film's biggest fantasy; the thieves who plundered the financial system are still mostly in power, and congressional zealots resist efforts to regulate the system. That's my point, however, and not Oliver Stone's. At a time when we've seen several lacerating documentaries about the economic meltdown, and Michael Lewis' The Big Short is on the best-seller lists, 'Wall Street: Money Never Sleeps' isn't nearly as merciless as I expected. It's an entertaining story about ambition, romance and predatory trading practices, but it seems more fascinated than angry. Is Stone suggesting this new reality has become embedded, and we're stuck with it? In some ways, Gordon Gekko himself serves as a moral center for the film.
Out from behind bars, author of Is Greed Good? And lecturer to business students, he at first seems to be a standard repentant sinner. Then he meets a young trader named Jake Moore (Shia LaBeouf) and finds himself edging back into play.
Jake wants to marry Gekko's daughter, Winnie , who hasn't spoken to her father for years. Maybe Jake can be the conduit for their reconciliation. He sincerely loves Winnie, who is a liberal blogger. Jake himself is ambitious, already has his first million, wants more, but we see he has a good heart because he wants his firm to back alternative energy. Is this because he is green, or only likes it? A little of both, probably.
Jake works for an old-line Wall Street house named Keller Zabel, headed by his mentor and father figure Louis Zabel. This firm is brought to its knees by a snake named Bretton James , who is instrumental in spreading rumors about its instability. Stone does not underline the irony that James' firm, and every Wall Street firm, is equally standing on a mountain of worthless debt.
In a tense boardroom confrontation, Zabel is forced to sell out for a pittance. The next morning, he rises, has his soft-boiled egg, and throws himself under a subway train.
Wall Street Money Never Sleeps 2010 Wiki
It is instructive that although tycoons hurled themselves from windows during the Crash of 1929, the new generation simply continued to collect their paychecks, and Gekko expresses a certain respect for Zabel. The death of his beloved mentor gives Jake a motive: He wants revenge on Bretton James, and suddenly all the parts come together: How he can hurt James, enlist Gekko, look good to Winnie, gain self-respect and maybe even make a nice pile of money along the way? It has taken an hour to get all the pieces in place, but Stone does it surely, and his casting choices are sound. Then the story hurries along as more melodrama than expose. Michael Douglas of course is returning in an iconic role, and it's interesting to observe how Gordon Gekko has changed: just as smart, just as crafty, still with cards up his sleeve, older, somewhat wiser, keenly feeling his estrangement from his daughter.
Wall Street Movie
Shia LaBeouf, having earlier apprenticed to Indiana Jones and, at the beginning of this film, with Louis Zabel, falls in step eagerly beside Gordon Gekko, but may discover not everyone in his field wants to be his mentor. Langella has little screen time as Zabel, but the character is crucial, and he is flawless in it. To the degree you can say this about any big player on Wall Street, Zabel is more sinned against than sinning. And then there's Carey Mulligan as Gekko's daughter, still blaming him for the death of her brother, still suspicious of the industry that shaped her father and now seems to be shaping Jake. 'Wall Street: Money Never Sleeps' is six minutes shorter than it was when I saw it at Cannes and has a smoother conclusion. It is still, we might say, certainly long enough.
But it's a smart, glossy, beautifully photographed film that knows its way around the Street (Stone's father was a stockbroker). I wish it had been angrier. I wish it had been outraged. Maybe Stone's instincts are correct, and American audiences aren't ready for that. They haven't had enough of Greed.